Stories Collection

  1. The impiety of Assyrians; the fight with Kappa the water-wheel and the Huns that swa...
  2. Jerry, being only a makeshift wiseacre, living a life the size of a spool of thre...
  3. theft, cheat, wrong or iniquity dance with joy displacing emphasis viewed fully in ...
  4. after billiards with Ed Dorn The spin is English language turned into itself bo...
  5. The Drenchers advocate more water everywhere whether by silver nitrate dispersal or...
  6. Edward Dorn (1929-1999) should need no introduction. Regardless what readers may not...
  7. Geoffrey Hill. The Orchards of Syon. Washington, DC: Counterpoint, 2002. 72 pp. $24 ...
  8. So I adopt a style and say even less than had I kept my wits and become a mathematic...
  9. It's midnight in the Derry-O. Tom follows signs to water and air while Jerry slee...
  10. [Act/ONE] Francine Michalek drives Bread. Taystee Bakery: an occasion ...
  11. Edward Dorn is the dead poet I miss most these days, when the poetry passing for pol...
  12. The equipment has a certain cost-- the supertech Remington Police Rifle. The traini...
  13. Ammiel Alcalay. from the warring factions. Los Angeles: Beyond Baroque Books, 2002. ...
  14. Will we ever leave the subjunctive, the moody forecasts of doubt, and will we grow c...
  15. I'm lying in bed watching TV She's going to kill some guy I haven't been following ...
  16. How much more is there to add to what we can never forget, and what will happen to ...
  17. Lord, your mercy is stretched so thin to accommodate the need of the trembling eart...
  18. Great Dane mudflaps cut the backwash, block the stones slung out of the tread ravine...
  19. Christopher Logue. All Day Permanent Red. New York: FSG, 2003. 64pp. $18 Twent...
  20. Two deer alike as clones stop at the curb, the steep stair to the four-room Carne...
  21. I wait for you beneath the wrecked marquee of the Chinese movie in the yellow smok...
  22. Of course we inhabit decisions not made by us or anyone we can trace, decisions thre...
  23. They came in spaceships the size (i.e. dimension) doesn't matter smaller than matt...
  24. We had come to Boulder from San Francisco in the fall of 1977, not planning to stay....
  25. During the French Enlightenment, gardens were designed and plants trimmed according ...
  26. The volume under review is the only republication to date of William Carlos Williams...
  27. from THE AMERICANS after Robert Frank (indianapolis) as though waiting, ...
  28. THE PHANTOM OF LIBERTY The summer snows, a bit of a surprise, and the new t...
  29. From the north side of London, the Tate Modern is best reached by walking from the t...
  30. For more than a decade, Mark McMorris has been publishing his dense and eloquent poe...
  31. from WHAT THE SURFACES ENCLAVE OF WANG WEI 3. Detained without cup in ...
  32. DESIGN FOR A NEW JOLLY ROGER The water lifts a dog brown and dirty as...
  33. I first met Stan Brakhage during the summer of 1997, but it wasn't until the winter ...
  34. Firstly, you have to forget that Randolph Healy is Irish. Because he doesn't trade i...
  35. I LOVE MORNING 1. We're in New Mexico. It's summer--all morning to ...
  36. IDEAS GRAY SUITS BOWLER HATS BAAL Adventure somehow decides to bypass all the a...
  37. Translated from German by Susan Bernofsky. Providence: Burning Deck Press, 2003. 103...
  38. TWO SONNETS Nothing was ever what it claimed to be, the earth, blue egg, in...
  39. VERNAL I. I seem to be thinking of a pink rock we'd walk to around a ...
  40. FINGER SMELL OF SCRATCH Fingers smell of scratching; and on words the odors...
  41. Chantilly, VA: Leaping Dog Press, 2002. 136 pp. $14.95 If reality is essentiall...
  42. ARTIST Where is the Artist whose art they protest? Every Prop, every player...
  43. TRANSSEXUAL CLOUD all through this metamorphosis we hunt for therapies burly re...
  44. TRACKS Storm over during the night; this morning, caboose sky ...
  45. Translated from Portuguese by Margaret Jull Costa. NY: Harcourt, 2002. 320 pp. $25 ...
  46. AN ACT I gave it all back. She took every drop of it. It was never mine. I ...
  47. TRANSSEXUAL FALL Living behind windows shaped to catch the rain (a house in...
  48. THE PATENT The tip imagines the iceberg; the side you make up is always...
  49. Woodstock, NY: Overlook Press, 2002. 104 pp. $24.95 Since his debut in the mid-...
  50. LW: In logic nothing is accidental. GS: A sentence is a part of the way when th...
  51. Aaron, sitting up in bed, the sheet drawn up to his chest, has his hands in Kevin's ...
  52. DEFENDING ONESELF With a lonely girl's lust For allegorical violets, for vi...
  53. NY: FSG, 2002. 100 pp. $21 John Ashbery is the horizon beyond which, at present...
  54. From Lindner's Notes portrait of senior consultant s. * So, this feller spits o...
  55. Kant thought he was honoring art when among the predicates of beauty he emphasized a...
  56. My mother's family were harbour people, my maternal grandmother a Scot married to a ...
  57. Those of us who had just started calibrating to Chicago's pleasant pace along Lake M...
  58. Harryette Mullen. Sleeping with the Dictionary. Berkeley: University of California P...
  59. (View from a hotel window--Butte, Montana) (how it is to awaken to running ...
  60. "The world of plants, in aspect so peaceful, so resigned--in which all seems to...
  61. I have been trying to write this text for several hours, and I'm still having proble...
  62. Washington, D.C.: Edge Books, 2002.78 pp. $12.50 The Sense Record is Jennifer M...
  63. (Assembly line--Detroit) two boys at a Michigan drive-in --If my car were...
  64. Anna Zemankova was born in Olomouc, Moldavia on August 23, 1908, worked as a dental ...
  65. Ekbert Faas with Maria Trombacco. Robert Creeley: A Biography. Hanover: University P...
  66. Cees Nooteboom, All Souls Day. Translated by Susan Massotty. New York: Harcourt, 200...
  67. How to be Tibullus. (Elegiae 1.1). Albius Tibullus Pile your money high in y...
  68. Daily More fashionable than ever in the stifling the next to last to arrive at '8...
  69. [When you touch down upon this earth. little reindeers] When you touch down upon t...
  70. Harold Jaffe. False Positive. Tallahassee, FL: FC2, 2002. 140 pp. $12.95. ISBN 15736...
  71. Revenge. Phillipos [blackened at top by fire] that little hill, rubbed bald ...
  72. Matters. Whatever flares up in our mental precincts a picture of how we were a ph...
  73. Sync. Leave Melbourne in a Sleeper, seal in a wilderness of habit Continuous s...
  74. Herta Muller. The Appointment. Translated by Michael Hulse & Philip Boehm. New Y...
  75. Ammonides ON IMITATION Splay the oozing Theophrastus (1) on a catapult. Pul...
  76. National's rival. A story in which all things are mysteries with a one-third moon...
  77. Target rich environment. Tho not calm in the head we went off to factories in the...
  78. Bruce Bond. The Throats of Narcissus. Fayetteville, AK: University of Arkansas Press...
  79. Hipponax ON THE BASTARD BOUPALOUS (1) Be a coatrack for me, dear, while I cloc...
  80. Few days cop. whelming to precreate consumes convincing the phallic contingent...
  81. Super Georgic 1. The dream begins here again, on a Good Day, where light whit...
  82. John Wilkinson. Effigies Against the Light. Cambridge, U.K.: Salt Publishing, 2001. ...
  83. Hipponax Mimnes, you sick aesthete! Why'd ya paint a long snake-thing going up t...
  84. Three variations hum the possible-to-say I hum seaweed word- wise due homeward d...
  85. Donald Revell. Arcady. Middletown, CT: Wesleyan University Press, 2002. 81 pp. $12.9...
  86. The miseries of poetry. HIPPONAX In Lydian tone she said, "Come hither, I ...
  87. Variations as in our bibles (white-faced, predatory). History has to live with wha...
  88. I'll tell you why I can't find it, Curtis is telling us up there on the bridge. It's...
  89. The Irish poet Trevor Joyce is a distant cousin of his novelist namesake, as I learn...
  90. Epithalamium. 1. The revolutionary challenges Previous answers seeking ...
  91. Known to the river. Tell your young every fish's heart throbs with searching. W...
  92. Poetry is, from one perspective, a treasury of memorable statements; from another, i...
  93. Garden Pieces: for Jennifer Moyer. i. this morning orange false monarchs alig...
  94. Dear Geoffrey Treacle: In the issue of CR in which I appeared ("Statement ...
  95. From Annunciation Rachel Zucker Sighting you say it is a cloud formation...
  96. "He holds me against the wall and rams it in" was how Sheila put it. ...
  97. THEN. Go on, go on, the other said. Not not not, the other said. And I was not l...
  98. An account of TOM RAWORTH'S PETITES IRREGULARITES, new collages and exhibition of ch...
  99. Translator's note: The following passage, about the young narrator's love of th...
  100. There I am again--late morning, late June, 1982--leaning in the humid shack doorway,...
  101. CANAL. So: the bridge was too low, which meant this length was not for trade. Yo...
  102. MONOLOGICAL POEM NO.2 translated by Rosmarie Waldrop In between there are so...
  103. VESUVIUS translated by Rosmarie Waldrop after days of kissing and weeping we ...
  104. HORSE translated by Rosmarie Waldrop When sadness prepares its rising line:...
  105. I-VISIBLE SUDS translated by Andrew Duncan lurch as person araound a string. ...
  106. translated by Carol Brown Janeway My brother squatted on a white blanket and la...
  107. translated by W. Martin The world began. Mr. Biformity and Mrs. Discord were th...
  108. It was freezing winter north of Harper's Ferry. In Maryland, a large billboard invit...
  109. translated by W. Martin The hero steps out of the forest. He is wearing a heavy...
  110. Broken German or moment embraced translated by Rosmarie Waldrop and by Andrew Dunc...
  111. Attending a literary reading in Germany today is like going to a rock concert. Not o...
  112. GRAVITATION translated by Susan Bernofsky distance calls ...
  113. PHYSICAL OPTICS IV translated by Iain Galbraith all things cleave to the wind...
  114. BEHIND THE COLD-ROOM DOORS translated by Andrew Duncan the words wait on the ...
  115. TO LEAP FROM MOUNTAINS, A FIGURE OF THOUGHT translated by Rosmarie Waldrop of...
  116. EFFI BRIEST; GERMAN-LANGUAGE POLAROID translated by Andrew Duncan 1 ...
  117. translated by Rosmarie Waldrop * * * WHAT ALL COMES CLEAR on such a morning. Yo...
  118. BLACK /RED/ GOLD translated by Rosmarie Waldrop everybody wants to wrestle wi...
  119. VERY JESUS translated by Rosmarie Waldrop Below the mosaic dome of the apse...
  120. KASPAR HAUSER'S UNDERPANTS translated by Andrew Shields a darwin on the backp...
  121. translated by Susan Bernofsky Between the sea and the steep rocks, there is now...
  122. Opening ceremony for the sorting machine extension. translated by Tony Frazer ...
  123. Signs of the Times translated by Rosmarie Waldrop the omenon, he said, how it...
  124. translated by Isabel Fargo Cole For some unknown time he had experienced the wo...
  125. translated by Susan Bernofsky My father's mother once dragged her adversary out...
  126. THERE WAS A BOND BETWEEN OUT HOURS translated by Susan Bernofsky there were d...
  127. translated by Iain Galbraith nautical twilight . under the brow of the trees th...
  128. THEN ONCE MORE ALONG THE LOW BULGING translated by Andrew Duncan facades, fro...
  129. INDICATIONS translated by Rosmarie Waldrop the power plant glittering, he sai...
  130. HISTORY PAINTING translated by Andrew Duncan landscape with patches. a lands...
  131. translated by Susan Bernofsky * * * LATER THEN it was the streak of luminous ...
  132. INTERMUNDIUM OR KNOWLEDGE MEANS MELANCHOLY translated by Rosmarie Waldrop m...
  133. TO BE HUMAN, NOT: translated by Rosmarie Waldrop a horse that rears--and bolt...
  134. FULL LENGTH translated by Andrew Duncan and it is bruised into our blue aware...
  135. translated by Darren Ilett Other people go to church every Sunday, but I prefer...
  136. translated by W. Martin to prove how eurohip you are by making a special trip t...
  137. translated by Peter Constantine Cat's Cradle The fourth kitten of our bla...
  138. tanslated by Elizabeth Gaffney Chapter 34 Klein took in the room in a gla...
  139. Talking to oneself is just a roar from the sea. translated by Rosmarie Waldrop ...
  140. GOOD EVENING CAPE translated by Susan Bernofsky what they love out here are t...
  141. HORST AND HIS NEW OPEL translated by Tony Frazer Captain take us with you, sp...
  142. KINDLED translated by Andrew Duncan on the night frequency when outside on th...
  143. VINETA translted by Michael Hamburger Do you remember, those times when silen...
  144. DERMAGRAPHIC (CANAANITE) translated by Andrew Duncan gazelles. gazelle- skin...
  145. SNOW translated by Susan Bernofsky Where trees of ice blossom the words for ...
  146. POETIC STRUCTURE & NORMAL TIME translated by Rosmarie Waldrop imagine you...
  147. YOU (three months later) translated by Andrew Shields can you see the clou...
  148. MONUMENT translated by Andrew Duncan going to pasture out of oneself at it, ye...
  149. Christine has been living in New York ever since she came to the U.S. illegally from...
  150. translated by W. Martin In retrospect I think I must have seen her first at Sch...
  151. translated by Isabel Fargo Cole The novella Fruhling is an account--in the form...
  152. translated by Margot Bettauer Dembo It was winter when Stein found the house. H...
  153. translated by Susan Bernofsky I'm supposed to go to a party, and the zipper at ...
  154. SLAGHEAP GLOW translated by Andrew Duncan meant physically: accidents, looks ...
  155. WING-BEAT translated by Rosmarie Waldrop in the beginning eye-gods indwelled...
  156. YES-NO-YES translated by Andrew Duncan the diodes are winking in the dark, so...
  157. VILLA MASSIMO translated by Tony Frazer We've known these gatherings long eno...
  158. CHALDAEAN CATALOG translated by Andrew Duncan night watch, cometess! old snow...
  159. EMISSIONS PROFILE translated by Andrew Duncan spoken into sleep the acutely ...
  160. ALL WORDS ARE GUILTY translated by Rosmarie Waldrop not only i not only all o...
  161. (in the eighth night, dream) translated by Andrew Shields saw her push a tam...
  162. PHOTOREALISM. PICNIC. translated Tony Frazer Through smeared glass I see some...
  163. Dame, street, dublin translated by Rosmarie Waldrop "the wild swans at c...
  164. DOMINOTAURUS translated by Rosmarie Waldrop dominotaurusbekistandrogynecologi...
  165. For allen Ginsberg, died 5 april 1997 translated by Tony Frazer You weren't t...
  166. translated by Philip Boehm An everyday sort of earthquake had caused the sapphi...
  167. Am my own zoo translated by Andrew Shields and by Andrew Duncan sow bug, litt...
  168. A FORTUNE IN PITCHABLENDE translated by Andrew Duncan what blew at us out of ...
  169. WATER AND LIGHT translated by Rosmarie Waldrop under you hands sun-stones bl...
  170. IN THE GLOSS OF JUNE, IN THE PARKING-METER translated by Andrew Duncan zone, ...
  171. translated by Rosmarie Waldrop *** The end is nearest the beginning. Taking...
  172. translated by Nick Grindell * * * Wired, sparks flying, all night long, then ...
  173. DR EYEYE DR translated by Andrew Duncan shavings of light planed out of the ...
  174. INTROIT translated by Andrew Duncan early, when in your eyes the brick-red c...
  175. TWO TO ONE translated by Rosmarie Waldrop just to be talking to somebody I t...
  176. (in the seventh night) translated by Andrew Shields in dream the hills go away...
  177. RETINA. POST-WAR MODEL translated Tony Frazer Whether you sit by wooden shacks ...
  178. CASING translated by Rosmarie Waldrop These are the walls, a white egg, inha...
  179. translted by Lilian Friedberg In 1976 I returned to Berlin after nine years. Wh...
  180. translated by Rosmarie Waldrop * * * O BAPTIST, YOU too will lose your head. ...
  181. [TO.sup. *] translated by Christopher Middleton 1 The shortness of your brea...
  182. 1 The world was galaxies imagined flesh. Mortal. What to think now? Think simp...
  183. Although American avant-gardist Stan Brakhage has achieved a level of expression com...
  184. The Lost Films is a series of nine untitled films, from the late 1980s through to 19...
  185. What slips from her hand while the metro goes black is anyone's guess it's funny ho...
  186. ...all that we call psychological projections are the movies of the angels--the home...
  187. If it be an art, then it is intrinsically aesthetic, requiring aesthete--that is to ...
  188. How do I start? The photograph would go here endless leg moving risers ri...
  189. What we loved about Brakhage back then remains a permanent liberation in the medium:...
  190. Before a work of art people who feel little or no emotion for pure form find themsel...
  191. The same eye hesitates in a narrow street, Every edge line fades Inside, ...
  192. I The angel Heurtebise, on the stairs Silken in his wings Singes me...
  193. Having declared a belief in God, and God's presence in current human affairs and (ho...
  194. Frank Stanford. The Battlefield Where the Moon Says I Love You. Barrington, R.I.: Lo...
  195. What say repulsive caterpillar turns into cause of a thing migratory No welcome s...
  196. MICHAEL McCLURE: Stan is a realm buster, and I use "realm" as the word is ...
  197. From "time...en dit" There are two pictorial extremes of human though...
  198. Charles Wright. Night Music. Exeter, UK: Stride, 2001. Franz Wright Hell. Exete...
  199. A bazaar before the day begins: each stall's shadows silvered in the last suggest...